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Original symbolic eye painting for sale, The Third Gaze by Mamta Jharia, featuring two geometric figures, repeated eyes and a large central symbolic eye.

The Third Gaze – Original Symbolic Eye Painting for Sale

 9.000,00
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What the Gaze Conceals – Original Eye Portrait Painting for Sale

 3.500,00
Original eye portrait painting for sale, What the Gaze Conceals by Mamta Jharia, featuring a fragmented female face with one expressive blue eye.

The Silence in the Mirror – Original Large Figurative Painting for Sale

 12.500,00

The Silence in the Mirror is an original large figurative painting for sale by Mamta Jharia, transforming a contemporary interior into a psychological landscape of silence, memory and identity.

This one-of-a-kind contemporary figurative interior painting combines the intimacy of an original woman interior painting, the emotional depth of a psychological portrait painting for sale, and the commanding presence of a large contemporary statement painting.

At 100 × 150 cm, the artwork transforms stillness into an exploration of inner reflection, creating a sophisticated focal point for collectors seeking original contemporary art with conceptual and architectural presence.

Original acrylic on gallery-wrapped stretched canvas | 100 × 150 cm | Landscape | 2026 | One of a kind

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Description

Original Large Figurative Painting for Sale – The Silence in the Mirror

The Silence in the Mirror is an original large figurative painting for sale by contemporary artist Mamta Jharia, created for collectors drawn to psychologically layered interiors and statement-scale art. This one-of-a-kind contemporary figurative interior painting places a solitary woman inside a fragmented architectural space where colour, objects and memory become part of an emotional landscape. For buyers seeking an original woman interior painting, a psychological portrait painting for sale, a large contemporary statement painting or an introspective woman painting, this 100 × 150 cm work combines substantial physical presence with a quiet, reflective narrative.

Painted in acrylic on gallery-wrapped stretched canvas in 2026, the work transforms a recognisable domestic interior into psychological space. A seated figure occupies a room filled with furniture, objects, architectural forms and another painted presence. Yet despite the richness surrounding her, the dominant sensation is stillness.

The painting is not about a literal mirror. The mirror of the title is metaphorical: silence becomes the surface through which a person is returned to herself.

A Contemporary Figurative Interior About Silence and Reflection

Mamta Jharia constructs the room through broad geometric divisions, overlapping planes and expressive colour. Emerald green, turquoise, deep blue and purple establish the atmosphere, while burgundy, ochre, warm beige, muted red and black introduce warmth and tension.

The room remains recognisable, but conventional perspective is disrupted. Furniture, walls and objects no longer function only as physical elements; they become fragments of memory, identity and thought.

The seated woman is physically present but emotionally elsewhere. Her gaze does not explain whether she is waiting, remembering, questioning or simply resting in her own company.

That uncertainty is essential.

When Interior Space Becomes Psychological Space

Memory rarely returns as a perfect image.

A colour, object, face, shape or corner of a room may carry more emotional force than an entire scene. Mamta uses fragmentation to suggest that process. The surrounding elements appear like pieces through which identity is quietly reconstructed.

The work can therefore be experienced first as a contemporary interior scene and then, with longer viewing, as a psychological portrait.

The room is not a decorative background. It participates in the emotional meaning of the figure.

The Mirror Is Symbolic, Not Literal

Here, silence itself behaves like a mirror.

When movement, conversation and routine recede, a person may encounter parts of themselves that everyday life keeps hidden. The painting explores that private moment of inward recognition.

The woman’s story remains deliberately incomplete. The artist begins the narrative, but the person standing before the painting brings another part of it.

This openness allows the work to speak differently to viewers who associate solitude with reflection, memory, waiting, emotional distance or self-possession.

Expressionist Colour and Cubist-Geometric Structure

Although the composition includes abstract passages and geometric simplification, The Silence in the Mirror remains fundamentally figurative.

The seated figure and interior narrative are clearly identifiable.

Its strongest classification is Contemporary Figurative Art, supported by Expressionist colour, Cubist fragmentation, geometric structure and Symbolic meaning.

From a distance, the composition reads immediately as a figure within an interior. Closer viewing reveals shifting planes, colour relationships and architectural fragments that resist a single fixed perspective.

A Large 100 × 150 cm Statement Painting

At 100 × 150 cm, The Silence in the Mirror has substantial physical impact.

The landscape format creates a broad visual field, allowing the viewer to feel as though they are entering the room rather than simply observing it.

Living Room

In a contemporary living room, the painting can anchor a principal wall above a long console, sideboard or low sofa.

Warm white, cream, stone, taupe or soft-grey walls allow its emerald, turquoise, violet and burgundy passages to stand forward.

Executive Office or Creative Studio

The themes of reflection, identity and interior life make the work effective in an executive office, architectural studio or design practice.

It introduces visual authority and intellectual character without relying on conventional corporate imagery.

Dining Room, Entrance Hall or Private Gallery

Its 150 cm width works well above a long credenza or on an entrance wall with enough viewing distance.

The statement scale also suits collector residences, private galleries and boutique hospitality interiors where original art is expected to define the space.

Why Choose The Silence in the Mirror?

This is not a reproduction, poster or mass-produced decorative image.

It is a one-of-a-kind original acrylic painting by Mamta Jharia.

For collectors searching for an original large figurative painting for sale, the work offers the scale needed to command a room while retaining psychological intimacy.

For a buyer seeking an original woman interior painting, it moves beyond conventional portraiture by making architecture, memory and objects part of the woman’s inner world.

Its narrative is clear enough to create an immediate emotional connection but open enough to remain personal. The figure’s silence is never fully explained, allowing the painting to evolve as the collector’s own interpretations change.

FEATURE HIGHLIGHTS

  • One-of-a-kind original artwork
  • Acrylic on gallery-wrapped stretched canvas
  • Created by Mamta Jharia in 2026
  • Large 100 × 150 cm landscape format
  • Solitary seated female figure
  • Contemporary figurative interior composition
  • Expressionist colour
  • Cubist and geometric fragmentation
  • Symbolic interpretation of silence
  • Themes of solitude, memory, identity and introspection
  • Strong emerald, turquoise, blue, purple and ochre palette
  • Significant large-format wall presence
  • Suitable for premium residential interiors
  • Suitable for professional and hospitality environments
  • No duplicate original available

TECHNICAL SPECIFICATIONS

  • Artwork Title: The Silence in the Mirror
  • Artist: Mamta Jharia
  • Brand: Mamta Jharia Art
  • Year: 2026
  • Artwork Type: Original Painting
  • Medium: Acrylic on gallery-wrapped stretched canvas
  • Dimensions: 100 × 150 cm
  • Height: 100 cm
  • Width: 150 cm
  • Orientation: Landscape
  • Format: Large-scale / Statement Painting
  • Primary Style: Contemporary Figurative
  • Secondary Style: Expressionism
  • Additional Influences: Cubist / Geometric / Symbolic
  • Main Theme: People / Portrait
  • Secondary Theme: Interior / Introspection
  • Subject: Solitary figure, interior space, art, objects, contemplation and identity
  • Dominant Colours: Emerald green, turquoise, deep blue, purple, burgundy, ochre, warm beige, muted red and black
  • Mood: Contemplative, introspective, quiet, psychological, mysterious, reflective and atmospheric
  • Originality: One of a kind

CARE INSTRUCTIONS

Display the artwork indoors in a stable environment.

Avoid prolonged exposure to strong direct sunlight, excessive humidity, condensation and direct heat sources.

Remove routine surface dust gently using a clean, dry and very soft brush or microfiber cloth without applying pressure.

Do not apply water, solvents, household cleaning products or abrasive materials directly to the painted surface.

For specialist cleaning, restoration or structural treatment, consult a qualified art conservator.

FREQUENTLY ASKED QUESTIONS

Is The Silence in the Mirror an original painting?

Yes. The Silence in the Mirror is a one-of-a-kind original acrylic painting on gallery-wrapped stretched canvas by Mamta Jharia, created in 2026.

What size is The Silence in the Mirror?

The artwork measures 100 × 150 cm in landscape orientation, giving it substantial presence for a living room, office, dining room, gallery or hospitality interior.

Is there an actual mirror in the painting?

No literal mirror is intended by the title. The mirror is metaphorical: silence becomes a form of inward reflection through which memory, identity and private thought emerge.

What does The Silence in the Mirror represent?

The work explores introspection, solitude, identity and the way a physical interior can become a psychological space. The seated figure’s exact thoughts and circumstances remain intentionally unresolved.

Is The Silence in the Mirror an abstract painting?

No. It contains geometric fragmentation and abstract passages, but the seated figure and recognisable interior narrative make Contemporary Figurative Art the strongest classification.

Where would this large figurative painting look best?

It is particularly suited to a substantial living room wall, executive office, dining room, entrance hall, collector residence, private gallery or boutique hotel.

Additional information

Weight 0250 kg
Dimensions 80 × 60 × 5 cm

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Size Chart

100 × 150 cm

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